Magnum Photos archives coming to Harry Ransom Center

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Magnum Photo Collection Acquired by MSD Capital; Nearly 200,000 Vintage Prints To Reside at The University of Texas at Austin’s Harry Ransom Center

New York, NY—Magnum Photos, Inc., MSD Capital, L. P. and the Harry Ransom Center at The University of Texas at Austin today jointly announced a landmark partnership under which the Magnum Archive Collection, which contains nearly 200,000 original press prints of images taken by world-renowned Magnum photographers, will be preserved, catalogued and made accessible by the Ransom Center. The Collection will reside at the Ransom Center pursuant to an agreement with its new owner, an affiliate of MSD Capital, which recently acquired the prints from Magnum Photos.

Magnum Photos, the venerable agency founded, owned, and managed cooperatively by its member photographers, has been a standard of photographic excellence and innovation over the past 60-plus years. The vintage prints in the Collection have been amassed since the 1930s and include images of major world events, celebrities, family life, poverty, religion and social affairs by Magnum photographers including Henri Cartier-Bresson, Robert Capa, Elliott Erwitt, Leonard Freed, Bruce Davidson, Rene Burri, Eve Arnold, Dennis Stock and more than 80 others.

Images of icons from Picasso to Marilyn Monroe, from Sinatra to Gandhi, and from Castro to a young Queen Elizabeth coexist in the Collection with depictions of international conflicts, political unrest and cultural strife. Included are famous photos from the Spanish Civil War, the D-Day landings and the Six-Day War, as well as unforgettable scenes of historic events: the rise of democracy in India, Afghanistan and Iraq; the U.S. Civil Rights movement; the Rwandan genocide; and much more.

The Collection will be preserved and cataloged by the Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin, whose photography collection holds the world’s first photograph, and has substantial holdings in fine arts and photojournalism. The Ransom Center will encourage interest in the Collection through scholarly research, fellowships, lectures and exhibitions. The Center will also host visits and programs with Magnum photographers.

Managing Director Mark Lubell of Magnum Photos said: “MSD Capital is an ideal partner, with a deep appreciation of and commitment to this unparalleled collection of photographic prints. Housing the collection at the Ransom Center not only allows this archive to be studied by photographers but also helps satisfy the huge interest in it among historians, anthropologists, curators, journalists and the public at large. Through this arrangement, we are able to acknowledge, celebrate and preserve Magnum’s historic past, and continue to be industry innovators by developing new platforms to distribute our future work.”

MSD Capital, the private investment firm of Michael S. Dell, Chairman and CEO of Dell Inc., purchased from Magnum Photos the physical press prints, which include many of these photographers’ most iconic images. Magnum’s member photographers will retain the copyright and licensing rights to all of the images in the Collection. “This is a singularly valuable collection in the history of photography,” said Thomas F. Staley, Director of the Ransom Center. “It brings together some of the finest photojournalists of the profession and spans more than a half century of contributions to the medium. We are delighted to make these remarkable materials accessible to researchers and students.”

John C. Phelan, Co-Managing Partner of MSD Capital, said: “We immediately recognized the unique opportunity to own this extraordinary collection of prints by the world’s finest photojournalists. The images contained within the Collection capture the events and spirit of the 20th century in a way that only Magnum photojournalists can.”

Glenn R. Fuhrman, Co-Managing Partner of MSD Capital, added: “The Magnum Collection is an irreplaceable trove of American and world history. Given the technical changes that have taken place in the world of photography, including the digitization of images, a collection of prints like these will never exist again.”

Michael Dell commented, “I am so pleased to be able to entrust this significant body of work to the Harry Ransom Center at The University of Texas for research, study and exhibition. The Ransom Center has a well-known record of excellence and is ideally suited to manage the archiving and study of such a substantial and important collection. Having this incredible collection in Austin is especially exciting to me.”

Selected images from the Magnum Archive Collection may be viewed at: http://bit.ly/magnumlightboxlink.

Reel Women Screening: The Philosopher Kings, Feb. 4

THURSDAY, FEBRUARY 4, 6:30 p.m.
at the Picture Box Studio
701 Tillery, Suite A-7 in Austin

Synopsis: In his quest to explore how we should best live, Socrates would ask his fellow citizens, “What is the good life?” The Philosopher Kings goes in search of wisdom in unlikely places, taking us on a journey through the halls of the most prestigious colleges and universities in America to learn from the staff members who see it all and have been through it all: the custodians. Directed by Patrick Shen and produced by Greg Bennick, producers of the multiple-award-winning Flight from Death, The Philosopher Kings gives us the opportunity to learn from eight incredible individuals whom we would never have otherwise taken a moment out of our day to acknowledge.

This thought-provoking, feature-length documentary interweaves the untold stories of triumph and tragedy from members of society who are often disregarded and ignored, and seeks out the kind of wisdom that gets you through the day and the lessons one learns from surviving hard times, lost loves, and shattered dreams. In the documentary, you will meet Josue Lajeunesse, a custodian at Princeton University, who supports his family in Haiti and also uses his hard-earned cash to act as a philanthropist, bringing a source of clean water to his impoverished village. Corby Baker daily cleans the art quad at the Cornish School of the Arts, and is in turn inspired by the students’ creative energy to create his own works of art. Jim Evener, who works at Cornell University, survived the Vietnam War, and now finds solace in hard work, good friends and playing music. Interspersed throughout the documentary are words of wisdom from the great philosophers.

COST: $7 general public / $5 REEL WOMEN Members
A portion of the proceeds will be donated to the Red Cross for the relief effort in Haiti.

http://philosopherkingsmovie.com/

http://reelwomen.org/2010/01/19/documentary-screening-the-philosopher-kings/

UT Doc Center presents Along Came Kinky with David Hartstein, Feb. 3

Why the hell not?

On February 3rd, Screen Door Film, in association with the University of Texas Documentary Center and The Texas Tribune, will present a special screening of the hit documentary ALONG CAME KINKY…TEXAS JEWBOY FOR GOVERNOR, directed by Austin-based filmmaker David Hartstein. The film will screen at Studio 4D in the CMB Building on the campus of UT at 7 PM.

Evan Smith (Texas Tribune, Texas Monthly) will host our post-screening panel discussion, which will include:
David Hartstein – director of Along Came Kinky
Laura Stromberg – Kinky campaign press secretary
Jason Stanford – Democratic political strategist, ’06 Chris Bell campaign manager

Wednesday, February 3rd
7:00 P.M.
Studio 4D, CMB Building, 4th floor
(big black building at the corner of Guadalupe and Dean Keeton)
UT Campus
2501 Whitis
Austin, TX 78705

“Texans deserve a choice, and that choice should be something other than paper or plastic.” With that, satirist, musician, author and Texas’ most famous Jewish cowboy Kinky Friedman announced his Independent candidacy for governor. This documentary follows from beginning to end the election as seen by the candidates, media, campaign staff and volunteers.

Kinky’s was a campaign about political alienation, education, grass roots organizing and hope – plus a candidate who was both colorful and independent in every sense of the word. What made his campaign special was its focus on energizing an electorate that was turned off, cynical, and apathetic to mainstream politics.

Entertaining to the end, Kinky Friedman’s “non-concession” speech is one for the ages. Despite the outcome, the election (and film) reveals much about an Independent candidate taking on the two-party system.

The short film GREAT GRANDMA FOR OBAMA by Micah Barber will screen before the film.

Flying Kite Productions seeks film crew for project

Flying Kites Productions is a mission-driven film company (www.fkproductions.org). Our work records, supports and communicates the efforts of Flying Kites, a non-profit working with the world’s most vulnerable children (www.flyingkitesglobal.org). Our goal is to raise awareness of the struggles of these children and the innovative approaches that Flying Kites takes to help then. We draw on the talents, energy and idealism of young filmmakers and photographers to fulfill our mission.

Our upcoming project, “15 Steps” will document the strife of the street children in Rio De Janeiro, Brazil. We are currently seeking young, talented filmmakers to join our team and help us tell the stories of these children who are trapped in a world of poverty, drugs, gangs and violence. This project will shoot on location this summer (June-July). Positions we need to fill include a director, cameramen and assistants, a producer, an editor as well as a photographer and writer. For information, please visit their Web site or contact Christine Foote, program manager, at christine@flyingkitesglobal.org.

Flying Kit Productions: http://www.fkproductions.org

Garrett Scott Documentary Development Grant

What: This grant funds first time documentary makers for travel and accommodations at the Full Frame Documentary Film Festival, April 8-11, 2010. For four days, grant recipients will be given access to films, participate in master classes and be mentored by experienced filmmakers. TWO filmmakers will be chosen for the grant in its third year.

Deadline: Applications must be RECEIVED BY Friday, February 5, 2010. Applicants will be notified by email in early March.

About the Grant: Garrett Scott made a distinctive mark in documentary during his short career. Without any formal training in film, he directed Cul De Sac: A Suburban War Story, examining the case of a methamphetamine addict who stole a tank from an armory and went on a rampage through the San Diego suburbs. The film prompted Filmmaker Magazine to cite Scott as one of 25 New Faces of Independent Film. He went on to make Occupation: Dreamland, co-directed with Ian Olds, about U.S. soldiers in Falluja, Iraq. It won prizes at Full Frame and the Independent Spirit Awards. Both films were broadcast by the Sundance Channel. In 2006, Scott died of a heart attack at age 37.

Scott’s work examined how the forces of state power and economics impact individuals. Stylistically, his films broke convention, giving audiences new perspectives on familiar milieus like suburbia or war torn Iraq. He was a beloved member of film communities in San Francisco and New York City and several points in between.

His friends, family and colleagues established this development grant to help other emerging filmmakers reach their potential. The grants selection committee looks especially for filmmakers who somehow fulfill Scott’s example, by bringing a unique vision to the content and style of contemporary documentary making.

Previous grant recipients include Elinyisia Mosha and Cameron Yates in 2009, Rebecca Richman Cohen, Nathan Fisher and Mai Iskander in 2008 and Robin Hessman and Lee Lynch in 2007.

Criteria: Applicants must be a U.S. citizen or green card holder and live in the continental United States; any age 18 or older. By “first time filmmaker,” we mean someone who is in the early stage of their documentary career and has not yet received significant recognition (such as major festival play or broadcast). All applicants should anticipate finishing their first project by March 2011. You still qualify as a “first time filmmaker” if you’ve made shorts or student projects, worked professionally as a crew member on other people’s films, or if you’ve recently completed a documentary that hasn’t been released yet. The grant is open to students and non-students alike.

How: Applicants should send a 2 page letter addressing these areas:

1) Project summary: Describe the documentary you’re working on. It doesn’t matter whether the film is a short or a feature, though the judging tends to favor more ambitious projects. Describe the characters, structure, visual approach and what stage you’re at.

2) Director’s statement: Describe how you came to filmmaking and how you’ve trained as a filmmaker. It doesn’t matter whether you went to film school or are self-taught. Describe what you want audiences to take from your film.

Work sample: Applicants must send a 5-10 minute DVD sample of a work-in-progress or a past work. You may send a longer work sample, but judges may only review the opening minutes.

Submit TWO COPIES of both the letter and DVD along with your…

Name:
Address:
Phone:
E-mail:

Send to:
Full Frame Documentary Film Festival
ATTN: Garrett Scott Documentary Grant
324 Blackwell Street. Suite 500
Washington Building, Bay 5
Durham, NC 27701

Question or comment? e-mail us submissions@fullframefest.org.

Cinematographer in attendance for Trouble the Water screening

PJ RAVAL, RTF professor and cinematographer on the Academy Award-nominated documentary TROUBLE THE WATER, will be in attendance for a Q&A following a special presentation of the film on January 13 at the Alamo Ritz.

Synopsis: An aspiring rap artist and her streetwise husband, armed with a video camera, show what survival is all about when they are trapped in New Orleans by deadly floodwaters during Hurricane Katrina, and seize a chance for a new beginning.

“SUPERB… One of the best American documentaries in recent memory.” – Manohia Dargis, The New York Times.

WHEN: Wednesday, January 13, 7:00 p.m.
WHERE: Alamo Ritz, 320 E. 6th Street, Austin.

Click here to purchase tickets online.

WATCH: Trailer for Father, latest doc from UT alum Ya’Ke Smith

Father is a feature length documentary from Exodus Filmworks profiling five African-Americans who grew up without their fathers and the effect it had on them. The film will be out in the next year, according to its filmmaker YA’KE SMITH, an RTF alumnus and lecturer. Father features Sonny Haynes, Paris Craig, Ahmad Bell, Andrew Holmes and Lawrence Wilkerson.

Click here to check out the trailer for Father.

Documentary Channel partners with UT Doc Center, picks up student films

AUSTIN, Texas — Up-and-coming documentary filmmakers from The University of Texas at Austin will have a national audience for their work, thanks to a partnership between The University of Texas at Austin Documentary Center and The Documentary Channel®.

Through the agreement, three years in the making, The Documentary Channel will have exclusive U.S. broadcast rights to select films from University of Texas at Austin student documentary filmmakers for 18 months. These films will be showcased on The Documentary Channel’s “DOC U,” a platform for student work, during the first quarter of 2010.

The first four films to be broadcast are: “The Cockroach Project” (Ruth Fertig), “Dreams in All Sizes” (Christina Kim), “Pay Dirt” (Berndt Mader) and “A Casebook on Remote Viewing” (Anthony Penta). All four films were created in Radio-TV-Film classes and selected by a panel of Radio-TV-Film faculty and The Documentary Channel programmers.

“The Documentary Channel staff is extremely impressed with the high level of professionalism and innovation of the University of Texas student documentaries we screened,” said Kate Pearson, senior vice president of programming for The Documentary Channel. “We are looking forward to continuing our collaboration with the UT Documentary Center in selecting outstanding student documentaries for future national broadcasts.”
At the end of the spring 2010 semester, additional University of Texas at Austin student documentaries will be selected to be telecast on The Documentary Channel.

“Few people know how much work and energy go into making a documentary. And short documentaries have limited distribution channels” said Ellen Spiro, co-director of the University of Texas at Austin Documentary Center, which is training the next generation of non-fiction filmmakers and photographers. “Having your film seen by an audience of millions lends a certain level of credibility to a filmmaker’s work and—most importantly—brings the films to an audience.”
The Documentary Channel is the nation’s first 24-hour television network exclusively devoted to documentary films and the independent documentary filmmaker, providing viewers with round-the-clock opportunities to see fascinating, eclectic and award-winning documentary films of all lengths and genres. For more information on DOC, visit www.documentarychannel.com.

“The Cockroach Project.”

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“Dreams In All Sizes.”

This movie requires Adobe Flash for playback.

“Pay Dirt.”

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“A Casebook on Remote Viewing”

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Contacts: Erin Geisler, 512-475-8071, erin.geisler@austin.utexas.edu, or Caroline Graham, (615) 322-9333, ext 114, cgraham@documentarychannel.com.

Reel Women present screening of Eating Alaska

Director/producer Ellen Frankenstein in attendance, will conduct workshop on documentary filmmaking.

Eating Alaska poster

REEL WOMEN, a 501c3 non-profit organization dedicated to offering education, mentoring, networking and screenings supporting women (and men) in the film industry, is sponsoring a workshop and screening of the documentary “EATING ALASKA” on Sunday, December 6. The workshop will be held from 1:00-3:00pm, and the screening starts at 3:30pm. The events will be held at THE INDEPENDENT, a screening facility located at 501 Brushy (at East 5th Street, just east of IH-35). Q&A with the filmmakers will follow screening. Snacks will be provided by WHOLE FOODS MARKET, and The Independent offers a cash bar.

Directed by ELLEN FRANKENSTEIN, “Eating Alaska” is an exploration of what happens when a vegetarian encounters the “last frontier” and subsequently falls in love with a hunter/fisherman … and the land. It is a serious and humorous film about connecting to where you live and eating locally; about trying to break away from the industrial food system when that means not only buying fresh seasonal food from local farmers, but also taking part in a world of hunting and gathering. Made by a former city dweller now living in a small town in Alaska and married to a fisherman and deer hunter, it is a journey into regional food traditions, our connection to the wilderness, and to what we put into our mouths.

The film portrays a wry quest for safe, healthy, meaningful and sustainable food that leads to climbing mountains with women hunters, scrutinizing food labels with kids, talking moose meat with teens in a village public school and exploring how Alaska natives and non-natives are eating.

Director Frankenstein and producer SHIRLEY THOMPSON will lead the workshop and have named it “Chicks, Start Your Doc: Turn Your Idea Into A Film”. They will talk about launching a project, thinking about which ideas work for films and for funding, show fundraising clips, talk about their process on “Eating Alaska” and other films. Also covered: collaborations, thinking about outreach, distribution. They are both part of New Day Films, the national self-distribution co-op of social issue filmmakers.
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A portion of the proceeds from the screening will be donated to Youth Launch’s URBAN ROOTS, a youth development program that uses sustainable agriculture as means to affect lasting change for youth participants, and to nourish East Austin residents who currently have limited access to healthy foods. On a 2.5 acre urban organic farm, the project provides employment, life and job skills and service opportunities to under-served youth aged 14-18 in East Austin.

REEL WOMEN will provide complimentary tickets to youth involved in the Urban Roots program and also to middle-school girls that participate in the Morning Star Rising program at Fulmore Middle School.

COSTS:

Workshop Only: $30 / $20 RW Members.

Screening Only: $10 / $8 RW Members.

Workshop AND Screening: $35 / $25 RW Members.

New Member Deal: Workshop/Screening/Membership for just $60!

For more information, please contact reelwomen@reelwomen.org, visit www.reelwomen.org or call 512-971-1663.

TONIGHT: God’s Architects; A conversation with filmmaker Zachary Godshall

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God’s Architects
A documentary about five builders carrying out God’s play
A film by Zachary Godshall
in collaboration with Emilie Tyalor
with music by Shane Monds

Wednesday, Nov. 11
7:00 p.m.
Alamo Drafthouse South

$10 per person
(A portion of the proceeds beneft HousingWorks)

Tickets: www.aiaaustin.org

Backstory: In the spring of 2005, Emilie Taylor, then a graduate student at the Tulane School of Architecture, received a travel grant to research and document self-taught and visionary builders around the south. After visiting and documenting a number of builders, most of whom professed some degree of divine inspiration, Emilie shared her findings with filmmaker Zachary Godshall. Immediately attracted by Taylor’s stories, drawings, and photographs, Godshall decided to visit the builders himself.

And so in November 2005, Godshall set out from south Louisiana with a camera, tripod, and microphone to interview and document the work of Floyd Banks Jr., a divinely inspired castle builder living in the east Tennessee hill country.

Three years later, Godshall completed a feature-length film that both examines and celebrates the work of Banks along with four other solitary builders who have constructed similar monuments. Beyond the builders and their work, the film functions as a personal essay that explores the nature of inspiration and one’s dedication to a creative project, no matter how absurd or mysterious the circumstances may seem.

Zack Godshall was recently named the Louisiana Filmmaker of the Year by the New Orleans Film Festival for his new documentary God’s Architects. God’s Architects is playing at film festivals around the country and is slated for a DVD release this fall. Godshall’s previous film, the heartfelt Low and Behold, a blend documentary and fiction in post-Katrina New Orleans, premiered at Sundance and won numerous awards at festivals around the country. While working to complete his third feature film, a comic adventure called Lord Byron, Godshall teaches at LSU where he is the Screenwriter-In-Residence.